Space and affect in made in Hong Kong and Taxi driver

by Leung, Shuk-mun

Abstract (Summary)
(Uncorrected OCR) WORKS CITED Abbas, Ackbar. ?inema, The City, and the Cinematic.?Global Cities: Cinema, Architecture, and Urbanism in a Digital Age. Eds. Linda Krause and Patrice Petro. New Brunswick, NJ: Rutgers UP, 2003. 142-156. ---. ?osmopolitan De-scriptions: Shanghai and Hong Kong.?Cosmoplitianism. Eds. Carol A. Breckenridge et al. Durham: Duke UP, 2002. 209-228. ---. Hong Kong: Culture and the Politics of Disapperance. Minnneapolis: U of Minnesota P, 1997. ---. ?ong Kong: Other Histories, Other Politics.?Between Home and World: A Reader in Hong Kong Cinema. Hong Kong: Oxford UP, 2004. 273-296. Baudrillard, Jean. Simulations. Trans. Paul Foss, Paul Patton and Philip Beitchman. New York: Semiotext, 1983. Benjamin, Walter. ?ome Motifs in Baudelaire.?Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. New York: Verso, 1997. 107-154. ---. ?he Work of Art in the Age of Mechanical Reproduction.?Illuminations. Trans. Harry Zohn. Ed. Hannah Arendt. London: Pimlico, 1999. 211-244. 75 Cheung, Esther. ?he City that Haunts: The Uncanny in Fruit Chan? Made in Hong Kong.?Between Home and World: A Reader in Hong Kong Cinema. Eds. Esther M.K. Cheung and Chu Yiu Wai. Hong Kong: Oxford UP, 2004. 352-368. Colebrook, Claire. Gilles Deleuze. London: Routledge, 2002. Deleuze, Gilles. Cinema 1: The Movement-Image. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: U of Minnesota P, 1986. ---. Cinema 2: The Time-Image. Trans. Hugh Tomlinson and Robert Galeta. Minneapolis: U of Minnesota P, 1989. Donougho, Martin. ?rederic Jameson.?Dictionary of Literary Biographies 67 (1988): 187. Easthope, Antony. ?ostmodernism and Critical and Cultural Theory.?The Routledge Companion to Postmodernism. Ed. Stuart Sim. London: Routledge, 2001. 15-27. Jameson, Fredric. Postmodernism, or, The Cultural Logic of Late Capitalism. London: Verso, 1991. 76 ---. ?ostmodernism and Consumer Society.?The Anti-Aesthetic: Essays on Postmodern Culture. Ed. Hal Foster. Port Townsend, WA: Bay, 1983. 111-125. ---. Signatures of the Visible. New York: Routledge, 1990. Lombardo, Patrizia. Cities, Words and Images: From Poe to Scorsese. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003. Louie, Kam. Theorising Chinese Masculinity. Cambridge: Cambridge UP, 2002. Massumi, Brian. ?he Autonomy of Affect.?Deleuze: A Critical Reader. Ed. Paul Patton. Oxford, UK: Blackwell, 1996. 217-239. Narboni, Jean and Tom Milne. Eds. Godard on Godard: Critical Writings by Jean-Luc Godard. New York: Da Capo, 1972. Reader, Keith. ?he Scene of Action is Different.?Screen 28 (1987): 102. Simmel, Georg. ?he Metropolis and Mental Life.?Simmel on Culture: Selected Writings. Eds. David Frisby and Mike Featherstone. London: Sage, 1997. 174-185. ---. The Philosophy of Money. 2nd enl. ed. Trans. Tom Bottomore and David Frisby. Ed. David Frisby. London: Routledge, 1990. 77 ---. The Sociology of Georg Simmel. Trans. Kurt H. Wolff. New York: Free, 1964. Stern, Lesley. The Scorsese Connection. Bloomington: Indiana UP, 1995. Studler, Gaylyn. ?e-territorial Imperative.?Quarterly Review of Film and Video 12 (1990): 105. Ta u b i n , A m y. Taxi Driver. London: BFI, 2000. Thompson, David and Ian Christie. Eds. Scorsese on Scorsese. London: Faber and Faber, 1990. 78
Bibliographical Information:


School:The University of Hong Kong

School Location:China - Hong Kong SAR

Source Type:Master's Thesis

Keywords:made in hong kong new york city motion pictures


Date of Publication:01/01/2004

© 2009 All Rights Reserved.