Second natures [electronic resource] : media, masculinity and the natural world in twentieth-century American literature and film /
Abstract (Summary)
Second Natures: Media, Masculinity and the Natural World in
Twentieth-Century American Literature and Film
Jeanne E. Hamming
This multidisciplinary dissertation examines the cultural
anxieties associated with masculine identity in relation to both
technology and nature in key literary texts and contemporary
films of the twentieth-century: Ray Bradbury's
"
The Veldt
"
and
The Martian Chronicles, Philip K. Dick's Do Androids Dream of
Electric Sheep?, James Dickey's Deliverance, Don DeLillo's White
Noise, Fight Club, American Psycho, Brazil, 12 Monkeys, and Dark
City. Exploring the theoretical intersections of technoculture,
ecocriticism, and gender studies, this dissertation analyzes the
relationship between masculine identity and nature, as it is
mediated by American technoculture. This relationship is marked
by a discernible cultural malaise--a sense of profound
dislocation in the midst of technological hypermediations of
self and reality. This malaise suggests a conflict inherent in
conceptions of masculinity as doubly-constituted through an
impossible technological transcendence of nature on one hand and
a simultaneous illusion of unmediated access to nature on the
other.
iii
Bibliographical Information:
Advisor:
School:West Virginia University
School Location:USA - West Virginia
Source Type:Master's Thesis
Keywords:masculinity in literature motion pictures culture technology nature
ISBN:
Date of Publication: