Details

Model citizens and perfect strangers [electronic resource] : American painting and its different modes of address, 1958-1965 /

by Relyea, Lane; Shiff, Richard

Abstract (Summary)
Expressionism's Evasion of Language, " Art Journal 47, no. 3 (Fall 1988): 11; Robert M. Coates, " Art, " The New Yorker (January 17, 1948): 57. 23. Coates, " Art " : 57. 24. Parker Tyler, " Jackson Pollock: The Infinite Labyrinth, " Magazine of Art 43, no. 3 (March 1950), reprinted in Pepe Karmel, ed., Jackson Pollock: Interviews, Articles, and Reviews (New York: The Museum of Modern Art, 1999), 66-67. 25. B. H. Friedman, " An Interview wth Lee Krasner Pollock, " in Barbara Rose, ed., Pollock Painting (New York: Agrinde, 1980), n.p. 99 26. Mel Bochner, " Jackson Pollock, " Arts Magazine 41, no. 7 (May 1967): 54. 27. Michael Fried, Three American Painters (Cambridge, Mass.: Fogg Art Museum, 1965), 14; Donald Judd, " Jackson Pollock " (1967), in Complete Writings 1959-1975 (Halifax: The Press of the Nova Scotia College of Art and Design, 1975), 195; Greenberg quoted in Rosalind Krauss, The Optical Unconscious (Cambridge, Mass.: MIT Press, 1993), 244. 28. Quoted in Emile de Antonio and Mitch Tuchman, Painters Painting (New York: Abbeville Press, 1984), 46-47, 101. 29. Clark, " Jackson Pollock's Abstractions, " 201. 30. T. J. Clark, " Clement Greenberg's Theory of Art, " in W.
Bibliographical Information:

Advisor:

School:The University of Texas at Austin

School Location:USA - Texas

Source Type:Master's Thesis

Keywords:art modern american and society color field painting minimal pop

ISBN:

Date of Publication:

© 2009 OpenThesis.org. All Rights Reserved.