Language of gods and men
Abstract (Summary)
This study of how the gods are depicted in the Iliad focuses on the words of the
characters themselves. I compare and contrast the speech-patterns of the poem’s divine
and mortal figures, concentrating on three types of speech: quarrels, commands, and
prophecies. An examination of the diction, syntax, formulae, and narrative effects of
these speeches reveals how the Homeric poet-performer characterized the gods as
superior to humans both ontologically and epistemologically. In the consideration of
quarrels we see the basic contrast between the ineffective human method of handling
conflict and the relatively successful way in which the Olympian characters resolve
disputes through dialogue. The section on commands takes this observation one step
further by demonstrating the relative stability of the divine hierarchy. The examination
of prophetic language shows the importance of divine knowledge to the poet-performer’s
characterization of the gods and its usefulness as a narrative and performative device.
Bibliographical Information:
Advisor:
School:The University of Georgia
School Location:USA - Georgia
Source Type:Master's Thesis
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