Die letzten Tage Adolf Hitlers --- Eine Darstellung für das 21. Jahrhundert in Oliver HIRSCHBIEGELs Der Untergang
After surveying a variety of films that portray Adolf Hitler, the thesis analyses Der Untergang by focusing first on the cinematic and narrative aspects of the film itself and then on the figure of Hitler. It aims to demonstrate that the presentation of Hitler as a complex character reflects the circumstances of the film's time and culture. In particular, this thesis discusses two main aspects: first, it describes a figure of Hitler constructed in the film and conveyed to the viewers; second, it demonstrates that the film's construction of Hitler is embedded in the sociocultural context of the film's creation, thereby establishing that this is a Hitler for contemporary German society and the current state of German culture's reckoning with its fascist past.
The results of the analysis, in particular the depiction of Hitler and the representation of death and suicide, demonstrate that the film presents a multiple point of view. The film also faces the problematic issue of representing history adequately. The consideration of the German sociocultural context brings up some reasons that can explain the increased interest in the personal side of the perpetrators and especially in the figure of Hitler.
Finally, this thesis maintains that Der Untergang gives a complex but subsequently inconsistent picture of Adolf Hitler because it gets entangled by the attempt to be informative and entertaining at the same time. Though the film cannot replace historical investigation and analysis, it still informs Germans about Adolf Hitler and reflects how their society deals with its own troubled past.
School:University of Waterloo
School Location:Canada - Ontario
Source Type:Master's Thesis
Keywords:german studies film analysis sociocultural aspects and history adolf hitler in
Date of Publication:01/01/2006