Boundaries and the working woman in Zola's L'Assommoir, Nana and Au Bonheur des dames
Abstract (Summary)
For the working woman in nineteenth-century Paris, it
is essential to establish clear boundaries between the self
and others as well as between work space and home. In
order to avoid repeating conflicts witnessed during
childhood, she must develop a personal identity separate
from previous generations of her family. It is also
necessary to create a division of space between the work
place and the home. Failure to create boundaries leaves
the woman vulnerable to criticism of the Other, the
collective, hostile observer, as well as corrupt men, who
seek to exploit the woman’s emotional vulnerability.
Index Words: Zola, Boundaries, Space, Working Woman,
Employment, Demi-monde, Prostitution,
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School:The University of Georgia
School Location:USA - Georgia
Source Type:Master's Thesis
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