Arquitectura representada i espai pictòric en l'art del segle XX. Ortodòxies i heterodòxies de la perspectiva de les avantguardes pictòriques a través de l'arquitectura representada

by Juncosa Aragonés, Jordi

Abstract (Summary)
ABSTRACT The object of the thesis is to treat architectural perspective as a concept that it develops trough drawing within paintings. First using renaissance artistic expression in perspectives considered models to define a three-dimensional representation system. Later we consider, within the confines of geographical Europe in the twentieth century, the presence of represented architecture, valuing volumes within the figurative configuration of space. So these questions are the object of the thesis, drawn and painted geometric perspectives for their formal and representative value, in reference to description and compared to renaissance perspectives. The central part of the thesis situates the demonstration of avant-garde pictures that define the opposition to scenography that represents architectural presentation in each example shown, in contrast of earlier models. The intention of the study in comparison with renaissance systems is the search for new theories that can replace the classical perspective of each pictorial movement analyzed. Based on the understanding of global current, and that of a particular artist, with the intention to follow chronological process, with its influences that started in twenty-first century. Differences between the initial systems and those used in the buildings studied have been found, and are exposed in the analysis. These differences have innovative characteristics that helped to come to a conclusion. The thesis talks about orthodoxies and heterodoxies and the submission or separation from the initial geometrical representation. The methodology of the analysis is based on, after studying the traditional renaissance perspective; compare it with twentieth century movements. Using its authors and currents within to argument the architectural volume presented. In the process, close attention has been paid to, the definitions and motivations of the avant-garde. As to the considerations of various critics of the building in the aspect, that interests us within the pictorial representation. In addition, the very characteristics and adjectives of the study are classified as analogies of the dictionary, which are used as additional information. The conclusions move within the visual transgressions found, that take the painting to a separate concept of representation to that of the visual resolution in the treated aspects. And broken down to form of heterodoxies, in relation to the earlier system of interpretation of pictorial space defined by the architecture.
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Document Full Text
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Bibliographical Information:

Advisor:Cabezas Gelabert, Lino; Bertran Ilari, Josep

School:Universitat Politécnica de Catalunya

School Location:Spain

Source Type:Master's Thesis

Keywords:718 expressió gràfica arquitectònica i


Date of Publication:12/12/2003

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